inexorableness is usually associated with fear or the unknown. As children, we be panic-stricken of the unknown under our bed that trace brings, which, in turn, makes our imaginations cast wild, creating monsters, ghosts, and of course, the occasional boogeyman. Even as adults, we still find out an antipathy to drive at night or go go alone in the deplorableness. So it only makes awareness that phantasma is used in all forms of art to exemplify any(prenominal) kind of fear, unknown thing or place, or a mournful state. Within the world of poetry, the contrast of light and macabre can be seen in hundreds of poems, including ?We Grow Accustomed to the disconsolate? by Emily Dickinson and ?Acquainted with the Night? by Robert Frost where the nefariousness symbolizes something much deeper than just fear. Both poems, ?We grow accustomed to the dreary? and ?Acquainted with the night? use the elements of Light and Dark as symbols within the speakers? lives. In ?Acquain ted with the night? the speaker talks of darkness as his past experiences, most of them not good, and by chance the clinical depression that accompanied them. He says, ?I seduce walked egress in the rain and back in the rain,? meaning he has been through events, emotion, and sorrows through his life several(prenominal) times, but has managed to take after through each one.

He talks of how he has seen sorrowful moments when he says, ?I have looked down the saddest city lane.? However, he is either ashamed or just disinclined to lick on his experiences in the line, ?I have passed by the watcher on his beat a nd dropped my eyes, unwilling to explain.? ! The speaker?s depression is so deep; he feels he has no hold or way of recovering. This is say in the line, ?I have outwalked the furthest... If you want to get a full essay, order it on our website:
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